By Rubin
Friedman
Girl at the Edge of Sky
By Lilian Nattel
Random House Canada, 2019
384 pages
Canadian Jewish author Lilian Nattel plunges us right
into the plot of Girl at the Edge of Sky as its main character plunges
through the clouds into Ukraine, just as she regains consciousness after
jumping from her burning plane. We are instantly at the turning point in a
Second World War story that focuses on the life of a teenaged half-Jewish girl,
Lily Litvyak, born in the Soviet Union, how she becomes a fighter pilot in the
Soviet air force, and what happens to her when she succeeds.
The structure of the novel relates two halves of her
story in parallel, one half describing what happens after her fall and one half
describing her life up to that point. By alternating chapters in one story with
that of one in the other, each one ending on a point of suspense, the author
leads the reader through both stories at a breakneck pace.
The first half of the story is based on biographical
information available about the real Lily Litvyak. But even in this section,
much creativity and artistic choice is involved to fill in the backstories of
her family, to create the scenes and dialogue that were not recorded, and to
streamline the narrative and thus exclude some characters while introducing
others. Nattel’s ability to do this smoothly is outstanding.
Lily knows little of Jewish religion or traditions
other than stories from her father and grandmother, and these focus heavily on
how they all survived previous persecutions, as well as the ongoing dangers
should other things around them go badly.
Early on, her father is arrested in one of Stalin’s
purges and the family has no more contact with him. The whole family is
therefore under suspicion and her Jewish grandmother moves away in order to
reduce the mistrust directed at them.
This becomes one of the prime motivations for Lily to
join the air force and prove herself as a fighter pilot. She feels the strong
need to succeed, to redeem the family name, and indirectly, her father.
But the novel also deals with a story that was never
recorded. It is not known what happened to Lily Litvyak when her plane was shot
down while accompanying bombers to attack German positions in Ukraine so we
rely on Nattel’s skills as an imaginative novelist.
At one moment in the opening chapter, the coincidences
and the role of chance seem contrived to ensure Lily’s imagined survival, but
Nattel’s storytelling and the characters are so strong that one soon forgets
that Lily’s life as a prisoner of war of the Nazis is wholly fictional.
Indeed, chance plays a significant role in both halves
of the story and in many stories of survival from the Second World War. One
comes to realize that this, in fact, makes the story more, not less, real.
At the same time, the parallels between Soviet and
Nazi systems of totalitarian dictatorship are made manifest, even though the
chances for a Jew to survive under the Soviets are much better. Both systems
rely on informants, forced through blackmail or enticed through offered
rewards, to monitor and report on even their closest friends and associates.
Both use mental and physical torture to attain their ends.
The dangers Lily faces, the political and physical
threats that surround her in both halves of the tale, are enough to provide
plenty of tense moments as both move forward until the first story takes us up
to where the second story had begun. Through the parallel experiences in the two
dictatorships, it is natural that Lily comes to abandon the idea of becoming a
hero and to seek rather a normal life of peace and survival. The last two
chapters provide a future conclusion to both halves of the narrative, each
fitting as a perfect ending to the mystery of Lily Litvyak and her ultimate
fate.
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